Posts Tagged ‘Nazis’
Mel Brooks probably put it best when talking about trying to find comedy and humor in horrifying events and people, such as the infamous dictators who reigned during World War II: “Rhetoric does not get you anywhere, because Hitler and Mussolini are just as good as rhetoric. But if you can bring these people down with comedy, they stand no chance.”
This was definitely present in the Wartime Cartoons that animation studios such as Disney and Warner Bros. made; very heavy on pro-American/ USA and heavy on anti- Axis Powers, these cartoons heavily relied on bombastic parodies of the infamous dictators that occupied the areas of Europe and Asia, as well as stereotypes of the various ranks of Nazi soldiers. Though the Japanese had their fair share of being stereotyped and mocked by these cartoons, a lot of the Wartime Cartoons focused on the Nazis, mostly because of their heavy, widespread invasion and ever-growing fear. Characters such as Daffy Duck, Superman, Donald Duck, and Popeye all got opportunities to fight the Nazi menace in their own way, much to the enjoyment of people staying at the home-front in America who were worried about how their husbands or oldest sons were fighting overseas, and the constant threat of Axis or Nazi expansion throughout the world. Nowadays, these kinds of Anti-Nazi Wartime Cartoons are usually parodied or have become homages in more recent cartoons; one the best example of this would be the South Park episode where Cartman defeats infamous terrorist leader Osama bin Laden in a manner quite similar to the Daffy Duck cartoons described here.
Warner Bros. used Daffy Duck quite a few times for fighting Nazis; two of the best examples of these would be the cartoons “Daffy The Commando” and “Scrap Happy Daffy“. In the 1943 cartoon “Daffy The Commando“, Daffy Duck goes behind enemy lines to infiltrate a Nazi camp headed by Von Vulture, an obvious stereotype of German commander as he has the evil monocle, is incredibly short-tempered, and even has a bumbling soldier named Schultz (interestingly enough, if anyone has watched the show Hogan’s Heroes, Colonel Klink and Sgt. Schultz could be considered homages to these two). Most of the cartoon involves a series of comedic mishaps with Daffy foiling Von Vulture, but it’s the ending that makes this cartoon extremely memorable. Daffy Duck is fired out of a cannon and lands right in Berlin where Hitler is making a speech; as Hitler is just rambling on in a nonsensical mix of English and German (with a stereotypical German accent), Daffy whacks him with a cartoon mallet, causing Hitler to cry like a baby. What makes this scene so iconic and funny is the entire setup and the way that Hitler is portrayed; the background music is a goofy, organ-grinder mix of “The More We Get Together“, Mel Blanc as Hitler rambling incoherently and bombastically about random things (“MEIN POOMPKIN! MEIN MILK! MEIN HEIMLICH!” just to name a few), and the whole mallet scene, which makes Hitler act like a temper-tantrum throwing kid is all perfectly-timed hilarity (weirdly enough, as I recently watched this cartoon, I got heavily reminded of how one first sees Hitler in Inglorious Basterds).
“Scrap-Happy Daffy“, another 1943 Pro-America/ Anti-Nazi cartoon with Daffy Duck against the Nazi menace, and was also interestingly the last cartoon to feature Daffy Duck in black and white. It features Daffy Duck guarding a gigantic scrap yard, as it’s part of his job as an American citizen (during WWII times, every piece of metal and steel wav very crucial; there were many posters that encouraged American citizens to do specific things to cut down on costs and such). Unfortunately, Hitler isn’t pleased about Mussolini’s downfall due to Daffy’s huge scrap pile, and so, sends his troops to launch one of their most powerful weapons to destroy the scrap pile- a billy goat. What makes “Scrap-Happy Daffy” notable is that it’s a textbook example of American Pride at it’s finest; Daffy Duck even sings a song in the beginning of the cartoon about how the citizens of America can be like him and help the Allied forces win the war by saving specific items (with also a very adult joke thrown in of him pointing to a drawing of a pin-up girl). There’s also a very clever visual gag of how Hitler gets introduced in this cartoon, namely cross-fading from a horse’s backside to Hitler sitting at his desk reading the paper.
The final cartoon that I watched, the 1943 cartoon “The Ducktators” directed by Norman McCabe, is another cartoon encouraging US citizens to buy US savings bonds and stamps, but it’s significant in the fact that it not only makes fun of Hitler, but also Mussolini and Hirohito as well. It begins on a farm with a husband and wife duck expecting their egg (which is curiously black instead of white) to hatch. The egg hatches revealing a duckling with Hitler’s mustache yelling “Seig Hiel!”, indicating, obviously, that he’s Hitler. As the Hitler-Duck grows older, he attracts a goose who bears a resemblance to Benito Mussolini and a duck who is a complete parody of Hirohito, with large stereotypical front teeth and round glasses. The only animal on the barn that tries to stand up to them is one single white dove, but when his peace treaties and requests fail, the dove takes matters into his own hands. This story almost has a Dr. Seuss-like feel to it, as a narrator tells the story in an almost storybook-like tone. Weirdly enough, the ending which features the dove telling his kids how his enemies were defeated (and are shown like animal heads above his fireplace) and the “Buy War Bonds” noticed has been censored since the 1950s (though the whole ending can be found on the sixth volume of the Looney Tunes Golden Collection).
I understand that Disney had their fair share of making fun of the Axis Powers, but Warner Bros. was much more bombastic in the way that they made fun of Hitler and the Nazis; whereas Disney portrayed them as bumbling fools, Warner Bros.’s type of satire seemed to almost be akin to how Mel Brooks portrayed them in The Producers‘ “Springtime for Hitler” segment. …I guess we just sort of came full circle, didn’t we?